So most of the informations I got for this project they were about architecture, what type of people were leading the theatre throuhout the years and how many impediments the theatre had to overcome in order to be a successful theater, at that specific time that was the only one in the area so people had to be really careful how would they manage their money and how to invest really smart into that theater, not only this but the architecture of the theatre was different compared to a lot of the theaters that were in function at that time, the Spanish chandeliers with a blue and gold color p

Long before it closed down, the stretch of SE McLoughlin Blvd. in Milwaukie, Oregon, was known by a towering icon: the Super 99 Drive-in. Opened in 1950, the Super 99 wasn't just a place to catch a movie; it was a new form of mid-century destination branding that perfectly captured the post-war automobile boom.

When the Rhododendron Drive-In opened on April 30, 1953, the theater distinguished itself from many other drive-ins of the time by showing almost exclusively first-run films, a practice that seemingly remained throughout the theater's lifespan which ended in 1979 with its final showings being that year's Last Embrace and Bloodline. This was partially due to the theater's close proximity to downtown Florence, unlike many other drive-ins which were located in more rural areas. Another notable aspect from the theater's first year of programming was its heavy scheduling.

Ever since Southgate Cinemaworld reopened as Northern Lights Theatre Pub in 2004, the owner Kevin Roudebush has made it a priority to experiment w

The Cinemagic Theater is 113 years old and counting. Thus, the research process for this theater has been complicated and time consuming, although deeply interesting. The theater has had eight owners and been renamed eight times.

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The Granada Theatre, established in 1929, sits proudly in The Dalles, Oregon. The theater featured a moorish revival architecture style when it was first built, meaning it was grandiose, regal, and stood out nicely within the city. The exterior architecture was admired by many, and the interior was enjoyable and comforting. The exterior featured domed towers and arched windows, leaning heavily into the theme. When the 1950s rolled around, it was time for a change in scenery. The Granada had an art deco makeover.

The Times Theatre opened with